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River Writing

This is a page for writing about the river. All contributions of any sort are gratefully received. All voices celebrated. Please use the Contact page to send your own writing.​
Picture

Livestream 1.

May peaks late 
to swell and burst the banks of bluebells, 
drooping in 
bedraggled crinoline. 
 
Spent garlic, rank, in khaki shade
despatches podshot. 
Harts tongue licks pink campion. 
Hedge speedwell sucks wet moss
 
Kite harries oak.
 
And river?
(Chaffinch flirts, cock chafer stirs)

I skirt her banks, poke fingers in 
her dry holes. 
Dream her water voles.
And every living thing demanding
write
me 
first.
As river carries on
 
She whispers
I am 
symphony;
a thousand voices singing, 
a cappella. 
Braided energy, 
too fluid to be fixed in time in lines of black on white. 
I need a stave and clefs and glides,
a chorded alphabet
to write 
her patterns forming from what lies beneath
or presses on her skin. 
 
Her life is lived colluding with the sun.
New harmonies swell up from obstacles
and what contains and covers, 
colours her
 
She dams and swallows, 
riffles, 
hollows hard rock,
thrums the elements to algal soup.
She is the bullhead’s riff on chert
The dipper’s luminescent fizz
 
She is a consequence. 
Her form, her taste, her flow and hue, her chemicals, 
what lives -
or not -
dictated by relationship. 
She’s warp and weft and wave, 
A dip in where and when, 
The sum of what
and what is not
Is river 
happening

​Dana Assinder, May 2024

River is

River is 
not place, not thing.
A million voices singing,
acapella,
springing snowdrops into being, dubbing winter’s drum,
a bass line fingering the clod.
A pulse, a beat, a keeping time.


Cacophony of flood
released
To shallow chatter over chert.
To hush, to meet a swelling mouth, to kiss a salty lip
To consummate 
A swallow wings the inrush

Spring begins again  
Perpetuum 

​Dana Assinder, February 2024

Ripe

In the gullspit
distance, pipped.
Torn and stained and hawed and hipped 
Berried
in abundance.

Hear

Drunk tattoos drum ink on skin
draw sharp blood up
​juice from the marrow
On Black Sunday on the Barrow

Drupe stone
Flint gorse
Chit chat
Cricket horse
Snake fly dragon rasp
Ghost of yellow rattle past


Fly fringed eye
clocks purple lips and finger tips
A vellum muzzle
rubs my wet and bletted cheek

 to polished autumn, 
just  a week beyond the dog days’ end.


Change is coming
Clammy, warm
A horse outbreathes,
an almost autumn mist rolls down the frosted future slope of winter


​Dana Assinder, August 2022

16.01.22​

07.20
First light.
New day

​Cow in the delta,
Breath stream
body steam
waking up 
heart beat 
heating up
cold
​
Morning
molecular
​river bank
transfer.
Head rush
Nose dive
Shiver
into day.
​
The magpie sun 
Alights on the back
​of a black and white cow;
almost invisible,
present,
​felt. ​

​Dana Assinder, January 2022
Picture

Headwater

I've come to crouch by river's tiniest tributary
     headiest headwater
Where the loudest waterfall
     is one flint deep
And the only significant dam
     is a sweep of autumn's beech mast pressed
     against a curl of hazel
​Where a swirl of bubbles
     froth and form and pop and
     then disperse, all in a 
     tumultuous six-inch space
     where huge ferns overreach the
     shaded flow
     where the rattled sound
     of slipped descent
     has troubled no-one for millennia
     and lovers must 
     have sometimes met to
     drink the blessing of
     stream's sweetest pleasure
​     over moss.


Andrew Carey, December 2023

Patterns

I know that duck’s head is related to a dog's
I can see the patterns that prevail.
I know that duck's hunger is related to mine.
How could it not be?
I know that duck's feathered glistening
   is related to otter's fur.
I know that webbed feet are related to fins,
   and plump breast is related to fox desire.
I know that float and tip and tilt and bob
   are proprioceptive capacities of the brain
   (mine or duck’s or slug’s or dragonfly’s.)
I know that Himalayan balsam, however alienated,
   hangs open-mouthed, inviting pollened,
   perhaps dangerous, liaison.
I know that willows hang around the river's margin,
   thick as leaves in rooted gossiping.
I know that river's brackish ebb is related
   to the brackish constitution of my
   tears and sweat and other liquefactions.
I know that ripple’s circulation round a duck
   is related to the Rings of Saturn and
   the spread of desert sand and the waves
   of sound succeeding any explosion
   of significance.
I know that marestails, bramble, ragwort, thistle,
   loosestrife shape a rough imperative
   that could reclaim the bank and thrive
   if only we could make less of ourselves.
However can we do that?

Andrew Carey, August 2024

Babble

This babble seems to be some 
cotton mouthing babble,
making something like a pillow 
or a pastry with its sound, 
a beavered babble brook 
a curling bubble round 
a bubble wrap of water talk
that blithers endlessly then 
dissipates – not ending -
slipping past and stilling 
into thick brown pool 
of softer buttered syrup sound 
of smooth away the ripples 
into an immense calm 
but I'm drawn back to 
drift that ripples thin and 
beckons to the light and 
says “I’ll cradle you”, and “how I’ll wash you 
clean” and “wipe away 
whatever troubles” 
into something frothed and meaningless

Andrew Carey, May 2024
​

Evening information

Then hemlock mentions that it's 
overseeing everything and leaning 
down and watching 
for a sound to gulp 
and just be ruffled by 
and says a plant’s a throat - 
it's obvious, a tube for 
drawing up the river sap 
and making milk of 
flowing stream and finding 
syrup it can live from. 
And fern informs the shape 
and hang of riverbank, 
umbrella to the backward 
swirl of foam,
and rock 
is chirrupped by the 
dimpling of the stream, 
implacable and firm 
and making tireless 
interruption of the flow 
and nosing upstream 
for one more evening time.

Andrew Carey, May 2024
​
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